Mike Nelson, The Asset Strippers (pecker), 2019. Installation view, Tate Britain Commission 2019.

Tanoa Sasraku
Subdued Morale Patch [Enduring Freedom], 2025
Newsprint UV printed using a sun bed, binder clips, studio water, rust
39.4 x 83.6 cm
15 1/2 x 32 7/8 ins

Nicolas Deshayes
Thames Water, 2016
Cast iron, hot water
94 x 117 x 11 cm
37 x 46 x 4 3/8 ins

David Bomberg
Bomb Store, 1942
Oil on paper laid on canvas
41.9 x 58.4 cm
16 1/2 x 23 ins

Alex Margo Arden
Case History, 2026
Waxwork head, trap, display case, plinth, fingerprints
150 x 30 x 30 cm
59 x 11 3/4 x 11 3/4 ins

Prunella Clough
Slag Heap, 1958
Mixed media on board
27.7 x 31.3 cm
10 7/8 x 12 3/8 ins

Anthony Caro
Case History, 2011
Steel, rusted
58.4 x 63 x 49 cm
23 x 24 3/4 x 19 1/4 ins

Niamh O'Malley
Vents (closed), 2026
Stained birch ply, cork, felt, card
65 x 86 x 9.5 cm
25 5/8 x 33 7/8 x 3 3/4 ins

Magali Reus
Empty Every Night (06:01 B), 2019
Fibreglass, polyester resin, pigments, powder coated steel rod and aluminium, sprayed UV printed resin, sprayed plywood, leather cord; 2 parts
116.5 x 72.5 x 35.5 cm
45 7/8 x 28 1/2 x 14 ins

Gillies Adamson Semple
Untitled (Model), 2026
Smoke fired earthenware, oak, sapele, leather, freshwater pearl, glass
62 x 50 x 30 cm
24 3/8 x 19 3/4 x 11 3/4 ins

Kira Freije
December altar, 2023
Stainless steel, cast aluminium, lead, silk and cotton
151 x 63 x 40 cm
59 1/2 x 24 3/4 x 15 3/4 ins